The MRSP is 449 e for the standard version, 519 e with USB.Ī matching power supply is naturally included.Ĭolorful caps for all knobs are available on request. Multiclock will be available from May 2015. So yes, it’ll be great to evaluate these claims in performance. I can also tell you E-RM are obsessive about quality and sustainable production. And it could change the way machines in your studio arrive in time. 449€ is a hefty price, but … it could be the last sync/clock device you ever buy. A “MIDI Map & Merge Matrix” lets you route and merge MIDI notes and control messages over MIDI or USB to particular outputs.Į-RM is a neighbor of mine – in Berlin and this week at Messe – so I’m curious to give this a try. I can really imagine dialing in something more life-like and human with this. ![]() That can allow you to fine-tune sync or even create your own grooves. You can tweak timing on everything – each channel has two knobs for shifting and shuffling. But unfortunately I cant find it anymore. This is all fine and well, but I think it’s the adjustment that makes this interesting. Posts: 3 Joined: Mon 8:28 pm Differences to E-RM Midiclock by gelbton » Mon 8:31 pm Hi Simon The Midronome really looks great I got an ad displayed on Facebook where you mentioned the advantages over the E-rm midiclock. Or, of course, the multiclock – like the midiclock+ before it – can simply be your stable clock source for everything else. If you really must use a USB MIDI connection, fine – that works. You can use clock signals from analog modular gear. So you can use MIDI or DIN (from more reliable MIDI gear that isn’t a computer, that is). You still retain the versatility to use what you want. That’s my explanation, not E-RM’s, so I hope they approve. Remember when you could use a phone to tell what time it was? A lady’s voice would intone from the other end, “the time is now… 7:45 and 33 seconds pm.” Think of a MIDI stream as giving you those time indications a little irregularly – not quite on the right tick – and an audio stream giving times that are always exactly correct, many times per second (44,100 times per second for a regular CD audio setting, for instance). That allows you to use a computer as a clock source without some of the nastiness that can often ensue. Whereas MIDI and MIDI over USB from a computer are inherently susceptible to jitter, E-RM claims that the audio synchronization gives them sample-to-sample accuracy. The most important thing to know about the multiclock is that it takes this obsession with getting sync right directly to your computer’s audio card. Just announced, the multiclock is the follow-up to the midiclock+, the clever MIDI sync box introduced by Berlin’s boutique E-RM Erfindungsbüro back in 2012. But the E-RM multiclock claims to do it even with a computer as the clock source – without jittering. Though weird, I can get along with recording audio that's on the grid in this way - with the ERM offset at +1ms.We’ve seen boxes that claim to sync everything you have to everything else you have. This setup seems to work fine for all synths in the studio apart from the Pro 3. The reasoning behind this setup is that it allows us to record midi or audio for each synth in the studio. an audio channel that has it's input set as the output (post mixer) of the midi channel. This is where the bar long midi note is triggered.Ģ. a midi channel with an external instrument plugin, these generally have 7-8ms of latency set. I've tried power cycling with the USB cable plugged in, still can't get it working.Ībleton set up: Delay compensation and reduced latency while monitoring are turned on. I understand there is a bug with USB midi in this version that we're waiting to be resolved. I've tried to get it working with USB midi to sanity check but I can't seem to get it working. Pro 3 has latest firmware installed: 1.1.0. For it to be "in time" it must show each note of the arpeggiator as being on the grid in the resultant audio recording. This is weird.īy "in time" I mean that the audio signal that gets recorded in Ableton is on the grid when I use a basic patch with arpeggiator and trigger it with a bar long midi note from Ableton. The Pro 3 needs an offset of "+1ms" to be set on the ERM in order for it to be in time. There are other synths also clocked by the ERM and all have an offset between +30 to +49 as is to be expected. There is a Prophet 08 also being clocked by the same ERM multiclock at the same time, in order to be in time it's offset is set at +49ms. ![]() This means that we would expect any synth clocked by the ERM to need an offset set on the ERM of around +50ms or a little less in order to account for latency. The ERM is sent an audio signal from Ableton as it's master clock, on a track that has a -50ms delay. The Pro 3 is being clocked via midi din from an ERM multiclock. I've looked through the previous posts here and nothing seems to cover it, so I've created a detailed bug report. Firstly, I love this synth! However I am having some weird sync issues with the Pro 3.
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